THE ONLY RELEASE FROM LOAD RECORDS IN 2014 WAS THIS PEDANTIC AND THIN SOUNDING ELECTRONIC RECORD THAT MIXES PARANOID POETRY WITH GURGLES AND SWIRLS THAT TAKES FLIGHT AND AIMS FOR THE FENNESZIAN HEIGHTS BUT LANDS SOMEWHERE IN THE SEA OF THE SOUND A DYING FAX MAKES.
THE FEEL I GET FROM THIS ALBUM IS WHEN I GO TO ONE OF MANY CONTEMPORARY ART EXHIBITS THAT IS A CRITIQUE OF SOCIAL MEDIA ND TECHNOLOGY AND IT ALL ADDS UP TO VAGUELY WINDOWS XP-INFLUENCED COLLAGES OF BREAKDOWN AND DYSFUNCTION MARRIED TO THE SACCHARINE IMAGES OF THE DREAMS IT PROMISES US. LIKE, WE GET IT, THERE'S A FUNDAMENTAL RUB THERE. SAY SOMETHING MORE. EVEN MY FUCKING MUM KNOWS THE INTERNET IS A FALSE PROMISE, OR AT LEAST A REAL PROMISE CORRUPTED.
I MEAN AT LEAST PRURIENT CRITICISES STUFF BY ROLLING ON THE FLOOR WITH HIS TINY COCK POKING OUT OF HIS LEATHER DUDS. THIS IS KIND OF AN AMBIENT RECORD THAT SOMETIMES GETS BOLD. I DON'T DISLIKE IT TO BE HONEST AND MY REVIEW IS BEING WEIRDLY UNFAIR, BUT ALSO I DO THINK IT CONTEMPTIBLE ON SOME LEVEL.
SYSTEMATIC BUT NOT NECESSARILY FAIR REVIEWS OF AS MUCH OF THE LOAD RECORDS DISCOGRAPHY AS I CAN FIND OR ABIDE (no I do not have downloads)
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THE 27 BEST AND 8 WORST RECORDS ON LOAD RECORDS
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